August Macke
1887-1914
August Macke Locations
August Macke was born in Meschede, Germany. His father, August Friedrich Hermann Macke (1845-1904), was a building contractor and his mother, Maria Florentine, n??e Adolph, (1848-1922), came from a farming family in Germany's Sauerland region. The family lived at Br??sseler Straße until August was 13. He then lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, Holland and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elizabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter.
Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. August Macke's oeuvre can be considered as Expressionism, (the movement that flourished in Germany between 1905 and 1925) and also his work was part of Fauvism. The paintings concentrate primarily on expressing emotion, his style of work represents feelings and moods rather than reproducing objective reality, usually distorting colour and form.
Macke's career was cut short by his early death at the front in Champagne in September 1914, the second month of World War I. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war.
Related Paintings of August Macke :. | Indianer auf Pferden | Tightrope Walker | Madchen unter Baumen | Embroidering woman | Hutladen | Related Artists: VELDE, Esaias van deDutch painter (b. ca. 1591, Amsterdam, d. 1630, Den Haag).
Pearce, Charles SpragueAmerican, 1851-1914
American artist, was born at Boston, Massachusetts. In 1873 Pearce became a pupil of L??on Bonnat in Paris, and after 1885 he lived in Paris and at Auvers-sur-Oise. He painted Egyptian and Algerian scenes, French peasants, and portraits, and also decorative work, notably for the Thomas Jefferson Building at the Library of Congress at Washington. He received medals at the Paris Salon and elsewhere, and was made Chevalier of the French Legion of Honor, decorated with the Order of Leopold, Belgium, the Order of the Red Eagle, Prussia, and the Order of the Dannebrog, Denmark. Among his best known paintings are The Decapitation of St John the Baptist (1881), in the Art Institute of Chicago; Prayer (1884), ZUCCARO TaddeoItalian Mannerist Painter, 1529-1566
Painter and draughtsman. Taught to draw by his father, at the age of 14 he went alone to Rome where, according to Vasari, he was employed in various workshops and studied independently, particularly the works of Raphael. Through assisting Daniele de Porri (1500-77), who had trained in Parma, he learnt of the work of Correggio and Parmigianino. He first became known for his paintings on fa?ades, notably scenes from the Story of Furius Camillus on the palazzo of a Roman nobleman Jacopo Matteo, executed in 1548. Vasari claimed that Taddeo's fa?ade decorations equalled those of Polidoro da Caravaggio; none survives, although some are documented in drawings (e.g. London, BM; Paris, Louvre) and show his assimilation of Polidoro's style. Taddeo's earliest extant works date from 1553 when he collaborated with Prospero Fontana on the decoration (part destr.) of the villa of Pope Julius III outside the Porta del Popolo in Rome; Taddeo's contributions included scenes of The Seasons in the loggia of the nymphaeum. In these, clarity of form and space, natural proportions and idealization of human form demonstrate his affinity with the classicism of the High Renaissance. He also assimilated the sculptural sensibility of Mannerism, derived from Michelangelo.
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